Hispanic and Lusophone Women Filmmakers Theory, Practice and Difference

'Transnational co-productions and female filmmakers: the cases of Lucrecia Martel and Isabel Coixet' / Paul Julian Smith -- Part I Memory and History. 'Lost and invisible: a history of Latin American women filmmakers' / Patricia Torres San Martín ; 'Feminine spaces of memory: mourning and melodrama in Para que no me olvides (2005) by Patricia Ferreira' / Isolina Ballesteros ; 'Women filmmakers and citizenship in Brazil from Bossa Nova to the Retomada' / Catherine Benamou and Leslie Marsh ; 'Ana Mariscal: signature, event, context' / Steven Marsh ; 'Rosario Pi and the challenge of social and cinematic conventions during the Second Republic' / Alejandro Melero Salvador -- ' Deterritorialised intimacies: The documentary legacy of Sara Gómez in three contemporary women filmmakers' / María Caridad Cumana González and Susan Lord. -- Part II: Culture and conflict. 'Ana Díez: Basque cinema, gender and the (home)land' / Ann Davies ; 'Slipping discursive frameworks: gender (and) politics in Colombian women's documentary' / Deborah Martin ; 'The "poetics of transformation" in the works of Lourdes Portillo' / Rosa Linda Fregoso. -- Part III: Migration, transnationalism and borders. A disjunctive order: place and space in Isabel Coixet's The Secret Life of Words (2005)' / Helena López ; 'Reconfiguring the rural: fettered geographies, unsettled histories and the abyss of alienation in the work of Spanish women filmmakers' / Parvati Nair ; 'Tracing the border: the "frontier condition" in María Novaro's Sin dejar huella' / Sofía Ruiz-Alfaro. -- Part IV: Subjectivity. 'Genealogies of the self: (auto)biography in Sandra Kogut's Um passaporte húngaro (2001) and Albertina Carri's Los rubios (2003)' / Charlotte Gleghorn ; 'Filming in the feminine: subjective realism, social disintegration and bodily affection in Lucrecia Martel's La ciénaga (2001)' / Julián Daniel Gutiérrez-Albilla ; 'Everything to play for: renegotiating Chilean identity in Alicia Scherson's Play (2005)' / Sarah Wright ; 'The politics of pathos in Pilar Miró's Gary Cooper, que estás en los cielos (1980)' / Tom Whittaker ; 'Icíar Bollaín's "Carte de Tendre": mapping female subjectivity for the turn of the millennium' / Jo Evans -- 'Murmuring another ('s) story: histories under the sign of the feminine, pre- and post- the Portuguese Revolution of 1974' / Rui Gonçalves Miranda.