A Political Economy of Modernism Literature, Post-Classical Economics, and the Lower Middle-Class

"In the Methodological Prologue to this book, I mention that Political Economy of Modernism takes its place in relation to my earlier books, Modernism and Time, which examined cultural modernism in relation to intellectual institutions of the sciences, mathematics, and aesthetics in the early twentieth century; and Modernism and Popular Music, which examined cultural modernism in relation to the particular social-aesthetic institutions - the experience - of new popular musical forms conditioned by the remarkable technological innovations related to institutions of experience: recorded music, the radio, widening opportunities for large numbers of people to encounter music of all forms, which arose in the early twentieth century. Political Economy of Modernism similarly focuses on social - rather than intellectual or experiential - institutions by which we can grasp the nature of modernism. In my mind, these three books together attempt to encompass "The Culture of Modernism" in relation to institutions of forms of knowledge, experience, and social relations. Still, this volume, like the preceding books, does not assume that these books need to be read together. Here, there are a modest number of cross references, but all three of these books focus independently, from their different vantages, on "modernist" knowledge, experience, and social organization"--