Marquis de Sade and the Scientia and Techne of Eroticism

Although the Marquis de Sade is often read only for his pornography, it is important to ask why his works have claimed such a persistent reception for the past two centuries, a reception that has grown increasingly more astute and analytical in the past two decades. Iwan Bloch (1872-1922), the founder of Sexualwissenschaft or sexology, taught the 20th century to examine Sadeâ (TM)s works in terms of psychology and cultural anthropology in his study of 1899. In a magisterial two-volume biography, 1952-57, Gilbert LÃ(c)ly laid the foundation for every biography that has followed. LÃ(c)ly went on to assemble the first critical/historical edition of Sade, his Oeuvres completes, 16 vols., 1966-67. Alice Laborde extended LÃ(c)lyâ (TM)s work in her three volumes on Sadeâ (TM)s relationships, imprisonment, and family history (1988-91). Laborde also edited Sadeâ (TM)s letters, Correspondances du marquis de Sade et de ses proches enrichies de documents, notes et commentaries, 27 vols., 1991-98.The study of Sadeâ (TM)s literary influence commenced with Mario Prazâ (TM)s account of â oethe Divine Marquisâ (1930). Simone de Beauvoir, in â oeFaut-il brûler Sade?â (1953; â oeMust We Burn Sade?â 1955), paved the way for subsequent studies of Sadeâ (TM)s relevance to gender issues and sexual behavior. Angela Carter, in The Sadeian Woman and the Ideology of Pornography (1979) and Camille Paglia, in Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), demonstrate the continuing ramifications of Sadeâ (TM)s understanding of the motives of desire. Thanks to the foundational work of LÃ(c)ly and Laborde, recent commentators have been able to attend in more detail to Sadeâ (TM)s literary career. Neil Schaeffer, in The Marquis de Sade: A Life (1999) addresses the logic and rhetoric of Sadeâ (TM)s prose, his suasory strategies to arouse, his paranoiac strategies to conceal, his philosophy of passion, and the reason in his madness. Responding to current trends and offering new directions, this book examines Sade's reactions to medical theory and practice, to crime and punishment; his attempt to craft a reciprocity of written discourse and sexual intercourse; his involvement in the theater, both as a playwright for the public stage, and as playwright and director for the private theater of the insane asylum.